Having been on the all-star crew of advertising minds that put together Audi's "The Art of the Heist" it's interesting to see not only bigger stars and more money being thrown at a "story based campaign" but that it's also for the same car company! This month Audi unfolded a dreamy spy-like thriller trailer to launch their new A1 model, we'll have to wait and see just where they take us next. Stay tuned...
“The idea for Nuit Blanche came from the notion of having a special moment with a total stranger, which happens to everyone, especially in a large metropolitan city. It lasts for a split second, then things get awkward, so we turn away. I wanted to take that moment of attraction and stretch it in a hyper‐real fantasy where things unfold like slow-moving photographs.”
The making of:
DVCPRO HD camera for the 24 frames-per-second live-action shots; high-speed Photron APX for slow-motion sequences filmed at up to 2,000 frames per second.
“For 3-D we used Maya and mental ray, 3ds Max and V-Ray,” Manoukian says. “For compositing, we used After Effects. The matte paintings were done in Photoshop and mapped in 3-D.”
While this is not the first time I've seen this effect. I saw something greatly similar (as well as the car compression effect) in the movie Constantine. See the following clip and run up to about three minutes in and you'll see what I mean. While most of the film was a bit of a turd this culmination of visuals and effects was pretty phenomenal for 2005. Not taking anything away from Nuit Blanche which in my humble opinion is beautiful as a short film and is highly impactful.
The video was created by Patrick Jean from the Paris-based special effect studio One More Production, and is simply nothing short of fantastic. It depicts the destruction of the earth by "pixel" and while we all know the earth will be destroyed by zombies and robots it is fascinating to see someone elses interpretation. Enjoy!